Canon g12 which

Canon G12 Digital Camera. Close Canon G12 Digital Camera. SKU: cnB UPC Code. Pick Up. Add to Cart Add to Cart. Custom Options. The review camera powered up in just under one second and shot-to-shot times averaged 1. For CR2. RAW shots, this extended to 2. We measured an average capture lag of 0. Pre-focusing reduced this delay to less than 0. It took 2. Continuous shooting was not particularly fast, probably because some processing takes place as bursts are recorded.

It took 3. On swapping to shooting raw files, the camera slowed slightly after two shots and markedly after four. Initial capture was at 1. On-the-fly processing completed the recording of both shots within 4. Conventional close-up using the Macro focus setting: 6. Close-up shot of a tiny subject showing the inability to blur-out background details that characterises a small-sensor digicam: 6.

Blooming in a subject with a very wide brightness range; Still frame from the same clip showing the effects of zooming in which uses digital zoom. Image sensor : 7. Ph: 02 Secure online shopping and delivery across Australia. Ph: Click here for list of stores. Latest news, reviews, tips, special offers, and new ways to improve and inspire your photography. Ads can be a pain, but they are our only way to maintain the server.

Please deactive Ads blocker to read the content. Your co-operation is highly appreciated and we hope our service can be worth it. Canon PowerShot G Photo Review 8. Join here. Low Light Photography 2nd Edition. Travel Photography 3rd Edition. Best cameras and lenses. Brand index Canon Canon Compact Cameras. Add this product to your shortlist for comparison.

Reviewed Jan 19, User reviews. See all user reviews. Gear list. Product description. Announced Sep 14, Discuss in the Canon PowerShot Talk forum. Product timeline. Canon PowerShot G12 Review. In HDR, the Canon G12 takes three shots at different exposures I heard different shutter speeds for my still life images , compositing them in the camera. And the two HDR shots certainly show that. But I had such great results using Sony's Handheld Twilight mode under the same circumstances, I had to try it.

Sony clearly wins this round, thanks to their micro-alignment feature, something the Canon G12 lacks. So as I've said, a tripod is necessary. Before I packed up the Canon G12, I popped it on a tripod and took a series of garden furniture shots. I thought the shadows and bleached wood would profit from multiple exposures and, with the color options, clearly show the alternate renderings.

There are two in the gallery. Both are high-contrast images of a plant in bright sunlight. While it took a second to write the Raw data to the card, performance wasn't as sluggish as it is with some digicams that capture Raw data.

It really wasn't suitable for quick action or continuous release, however. It's worth downloading one of the Raw images to see how much range they have. You'll need Lightroom 3. One final confession. All the gallery images were shot with an Eye-Fi X2 Pro card, which put GPS data into the Exif header based on the router the images passed through on their way to the hard disk.

For more detailed test results, see the Optics , Exposure and Performance tabs. Sharpness : The wide-angle end of the Canon PowerShot G12's zoom shows moderate blurring in the corners of the frame compared to what we see at center, with the strongest instance in the lower left corner. However, blurring didn't extend very far into the frame. At telephoto, performance is a little better, with only very slight softening in the corners.

Good results overall. Geometric Distortion : There is higher than average barrel distortion at wide-angle 0. Pretty good results overall. Chromatic Aberration : Chromatic aberration at wide-angle is moderate in terms of pixel count, though pixels are fairly bright.

The effect extends deep into the frame, though width and intensity decrease. Telephoto, however, shows much less distortion, with faint red and blue pixels just visible. Macro : The Canon PowerShot G12's Macro mode captures a sharp image with strong detail, though with visible softening in the corners that extends far into the frame a common limitation among consumer digital cameras in macro mode. Chromatic aberration is also visible. Minimum coverage area is 1. The camera focuses so closely that the flash is blocked almost entirely by the lens.

Color : The Canon PowerShot G12 produced good saturation overall, though strong reds, greens, browns and blues showed mild to moderate oversaturation. Bright yellows, aqua and cyan were actually a little muted. Hue performance showed some shifts in color, such as cyan toward blue, red toward orange, and yellow toward green. Lighter skin tones were close to accurate, though slightly cool, while darker skin tones showed a warmer, yellowish cast.

I ncandescent : Manual white balance handled our incandescent lighting best overall, despite a slight cool cast. The Auto setting also turned out well, though it was just a bit magenta. Incandescent mode resulted in a strong magenta cast. Resolution : Our laboratory resolution chart revealed sharp, distinct line patterns down to about 1, lines per picture height horizontally, and to about 1, vertically. Extinction of the pattern occurred at around 2, lines per picture height.

Flash : Our manufacturer-specified testing shown at right showed bright results at wide-angle at the rated 23 feet, despite having to move the camera out of the main lab. The white doorway, panels and ceiling often fool cameras into underexposing the flash target, but not the G The G12 did however boost ISO to to achieve these results.

The telephoto test came out well exposed at the rated 13 feet, with an ISO increase to Auto flash produced bright results in our indoor portrait scene, thanks to an automatic ISO boost to Yellow and purple chroma color noise begins to appear in darker areas at ISO , and worsens as sensitivity increases. Stronger noise reduction at the higher ISOs decreases detail as well.

However, overall results are still better than average. See Printed results below for more on how this affects prints. Printed : ISO 80 and shots look good at 16 x 20 inches, if just a bit soft in our red leaf swatch. ISO images have good detail at 13 x 19 inches, with only minor luminance noise in the shadows.

ISO 1, shots look better at 5 x 7, with the only exception being the loss of all contrast in our target red swatch. Overall, a very good performance from the Canon G Dark areas deepen slightly as we move up the ISO ladder and down in print size, but color and apparent exposure look pretty consistent.

It's also a little better image quality than we saw in the Canon S Shutter Lag : Full autofocus shutter lag is slower than average at wide-angle, at 0. Prefocus shutter lag is 0. Continuous mode captures JPEG frames at 1.

The PowerShot G12 manages to improve on the G11 without taking any backward steps. It represents more a refinement than a revision, but that only reflects what a solid camera the G11 was. Despite that, the G12 is getting squeezed on one side by its own slimmer and nearly-as-capable PowerShot 95 stablemate. And on the other side, it's getting pushed by a handful of small mirrorless cameras that aren't quite as small, but pack larger sensors. It's simply a different landscape in I found myself picking up the Canon G12 rather than the Olympus E-PL1 next to it simply because it was slightly smaller and its image quality was always pleasing.

I might just have easily picked up an S95 or a Panasonic LX5 if one of those had been sitting on the table, though. What used to be the top of the mountain, the flagship among digicams, is now something of a compromise. A pleasant compromise, I hasten to add, but not the slam dunk of years past.

On the other hand, compromise is an art, and Canon has delivered such an artful one that it easily merits a Dave's Pick. It's the best G-series PowerShot I've had my hands on.

G12 vs ZS G12 vs RX VI. G12 vs W G12 vs RX G12 vs RX10 II. G12 vs G3X. G12 vs G G12 vs WG G12 vs FZ G12 vs B G12 vs FZ II. G12 vs H Canon G12 Review Tweet Share. Navigate Review Jump to review page Imaging Resource rating 4. Mouse over to extend lens. Quick Shot. Everything on one screen. Zoom Range. When you need a little more room on the bus.

Buy the Canon G Similar to the G12 but smaller lighter larger sensor cheaper But Panasonic ZS Sony RX VI. Nikon W